The only addition might be a couple more pictures of Iceland. Songs like Glosoli, Se Lest, Agaetis Byrjun, and Heysatan are almost the same as on the first disc. This disc is essentially all the source material for the documentary.
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If 97 minutes of Sigur Ros was not enough, Sigur Ros provided almost two hours of full length performances on the second disc. Yet with the soundscapes of Sigur Ros weaving throughout its rafters, the factories giant catacombs turn into a warm and welcoming cave.
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In addition, Sigur Ros put on a free concert at an abandoned fish factory that has a giant rusting ship beached right outside. However, the house and tractor are used to portray the haunting and subtle music of the song.
In Heysatan, Sigur Ros plays outside next to an abandoned house and a rusted tractor. In both circumstances, a normal setting and normal people create a palette that Sigur Ros uses to portray beauty.Īt other times, Sigur Ros uses run-down objects for their visuals. There are times such as in Agaetis Byrjun where a child runs around and tries to play with the band as they are performing the song. There is something all-encompassing about listening to a song while watching somebody else listening to the same song. Some of the songs such as Von, are played in intimate settings where the camera spends most of the time looking at the expressions on the faces of the audience as opposed to watching the band. The beauty in this disc is that the video taken of Iceland is mainly of things that are either normal looking, or decrepit and decaying. The first two songs set a high bar for the songs that follow and yet each new song brings with it visually stunning views of Iceland. The blue uniforms shine against a backdrop of a dreary-looking countryside and red houses.
Sigur Ros continues with the song Se Lest a song full of xylophone, in which at the end a marching band plays horns as it marches through an Icelandic town. The mixture of live performance and shots of nature is truly breathtaking. Halfway through the song the video is played backwards and a haunting waterfall starts to catch the water it had long thrown away. As the song plays, video of rivers and streams all throughout Iceland are interposed. A data projector projects unfocused images and colors onto the front of the sheet with a heavenly effect.
As Sigur Ros starts playing Glosoli, the lights dim and flood lights shine from behind the band to create shadows on the sheet hanging in front of the stage. In between the shots of t-shirt-making comes pictures of a stage with a semi-transparent sheet in front of it. The colors are vibrant and the mood is ethereal. The documentary starts off with an introduction where it shows Sigur Ros t-shirts being made. In contrast, while there are interviews with the band on Heima, Sigur Ros comes off as happy people who enjoy their homeland. I don't enjoy listening to why the artist thinks they are cool and why we as a fan base should think they are cool. Yet for the most part, I am put off by the narcissism that is sold on dvds. Sometimes I enjoy watching for the musicianship or to see if I am playing the song like the guitarist in the band is playing his song. I usually am not a big fan of dvds put out by artists. So when I heard that Sigur Ros was going to release a documentary, Heima (meaning home), about all the free shows they gave in Iceland last summer, I was rather excited. Untitled 1 received critical acclaim for children playing in a post-apocalyptic winterland and the music video for Glosoli artfully showed a drummer boy leading a pack of children off a cliff. Sigur Ros is also well known for releasing beautiful music videos. From releasing an album in a made up language to the use of the bow to create ambient soundscapes on an electric guitar, the music of Sigur Ros is truly unique and one-of-a-kind. Sigur Ros has always been known as an unclassifiable band. Review Summary: A 97 minute Sigur Ros music video.
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